Disney Infinity: Infinite white guys, limited diversity

Disney Infinity is perhaps one of the most enjoyable and addicting games I have ever played. The game is on the one hand an open-world sandbox game (á la Minecraft), on the other hand, a collecting of Disney characters element (á la an extremely expensive Pokémon—Disney Edition), on yet another hand with different Disney mini-worlds that each have their own theme, cast, and missions (á la Disney Universe), all presented in a style similar to the popular Skylanders series (how many hands was that, by the way?). Many have reviewed the gameplay, cost, and other features, but I have yet to see anyone review the game’s selection of available characters, and especially the lack of diversity in those characters.

If you’re looking for an in-depth review of gameplay, cost, or anything like that I invite you to find the plethora of published reviews already out there. I’m just going to do a brief over view of the basics of gameplay, a quick look at the play sets and upcoming releases, followed by a more in-depth overview of the lack of diversity in the characters. I also invite you to skip to the section marked “Characters” if you already know or aren’t interested in the basics of the game.

Basics of Gameplay

When one purchases the game, there are three “play sets” right off the bat: Pirates of the Carribean sees Captain Jack Sparrow try to undo his curse by Davy Jones; Monsters University has James P. “Sulley” Sullivan try to help Monsters U beat Fear Tech in a scare-off competition; and Mr. Incredible defeat Syndrome once and for all. Each of these individual play sets has about six hours of game play to beat the primary objective, with another four to six hours to beat all the side quests and find all the hidden objects, etc. Disney Infinity also has the aforementioned sandbox mode, called Toy Box, where one can have all their favorite characters interact with one another and with various toys that they unlock from the play sets, which allows for single player, multi-player (local and online), and untold hours of gameplay as one can practically craft an entire world (and even make one’s own missions and objectives) out of their available toys, which then can be shared online as well.

The figures and play sets are placed on a base that connects to one’s console, the base reads the figure(s) and play set and then uses that figure in the game. The best part is the figures are non-specific to consoles and character data is saved locally on the figure itself, meaning, I can take my Captain Jack figure off of my Xbox 360 and go to my friend’s house who only has the Wii U and play with my Captain Jack along with her Mr. Incredible on her console in her toy box. And, if my character levels up while playing on her console, when I take him home and play with him on my console, that level-up data will be saved.

That’s just in the box itself. For additional cost, one can purchase more figures and play sets for their world. Currently, one can also purchase Captain Barbosa and Davy Jones for the Pirates of the Caribbean play set, Mike Wazowski and Randall “Randy” Boggs for the Monsters University play set, and Mrs. Incredible (Elastigirl), Dash, Violet, and Syndrome for the Incredibles play set. Also, one can purchase a Lone Ranger play set that comes with the Lone Ranger and Tonto and a Cars play set that comes with Lightning McQueen and Holley Shiftwell (one can also purchase Tow Mater and Francesco Bernoulli separately).

It also should be noted that each of the characters cannot play in non-respective play sets (i.e., Captain Jack Sparrow from Pirates cannot be played in the Incredibles play set), but all characters can be played and interact interchangeably in the Toy Box mode. Furthermore, each character has a unique set of abilities that make sense to their universe—Mr. Incredible is super strong, Captain Jack fights with a sword, Sulley has a scare attack.

Play Sets

The play sets are pretty fun. I’ve had the opportunity to play all of the play sets currently available except for the Cars, and each one comes with hours of fun gameplay. My favorite is the Lone Ranger set, where one gets to fight the bad guys in old-Western shoot-outs, build a train, ride horses into the sunset, all that good stuff. The Pirates set of course has pirate boats that you get to build and fight with, along with sword fighting and hidden treasure chests. Incredibles involves using super powers to take down the bad guy, but also do other hero stuff—putting out fires, saving citizens, capturing robbers. My least favorite is the Monsters University play set—that one just seems the most lackluster—going around scaring people, pulling college pranks like throwing fireworks into dorm rooms, stuff like that.

The greatest part about the various toy sets also is the weakness of Disney Infinity: the game is a little uneven. Some play sets are great, others okay, and, at least one thus far, a little lack luster. But with at least one more play set slated for upcoming release and a whole slew of characters to come, the game seems to have something for everybody.

Upcoming Releases

The unique thing with Disney Infinity having character data saved on the character figures and play sets being activated by play set statues is that there is potential for a lot of expansion to the current lineup of characters and play set worlds. Already slated for release is a Toy Story in Space play set which will include Jessie and Buzz, with Woody available separately. Other figures that are confirmed to be released, which may or may not come with play sets, are Rapunzel from Tangled, Phineas Flynn and Perry the Platypus from Phineas and Ferb, Jack Skellington from The Nightmare Before Christmas, Wreck-It-Ralph and Vanellope Von Schweetz from Wreck-It Ralph, Sorcerer Mickey from Fantasia, and Anna and Elsa from Disney’s upcoming computer animated film Frozen. These are just the characters already confirmed to be released—who knows if future updates to the game will allow for additional figures and play sets? As the tagline for the game reads, there truly does seem to be “infinite possibilities.”

Characters

The single most-disappointing piece of the game for me is simply the lack of diversity in the characters. At start-up, there are only three female characters available, all of which have to be purchased separately from what one receives in the basic starter pack. These characters, Holly Shiftwell from Cars, and Violet and Mrs. Incredible from The Incredibles provide little female representation in a game where the remaining FOURTEEN characters are all men (if male cars count as men?).

In addition to that, there is only one character that is not white or without race (I’m just going to go ahead and say that the cars from Cars and monsters from Monsters University are without race, although one could argue that they are white too if one goes off of their voice actors). The only character that is not white is Tonto from The Lone Ranger, who is Native American (although, it could also be argued that he is white since he is portrayed in the film by Johnny Depp).

This could be written off as a reflection of the state of women and people of color in film today if we were talking about any universe other than Disney. Disney-Pixar has made it a point to include a diverse cast of characters, including strong female characters like Mulan or Merida, and just look at the diversity of the princess: Mulan is Chinese, Jasmine is of Near-Eastern/Middle-Eastern descent, Tiana is African-American, and Pocahontas is Native American. With the popularity of the Disney Princesses franchise (including toys, video games, books, and straight to DVD films), I find it interesting that there is no mention of a Disney Princesses expansion for the game and that of all the princesses, only Rapunzel is slated for release (Rapunzel? Really? Don’t get me wrong, Tangled is a great movie. But still). Of course, the Disney Princesses line raises its own concerns (always a princess, never a queen for one), but many of the princesses are very strong female characters who do not rely on a man to save them (just off the top of my head I can think of Belle, Mulan, and Merida… Hell, Merida doesn’t even have an accompanying prince!).

And it’s not just that Disney Interactive Studios picked films with limited diversity for the game. Frozone was a very popular superhero in The Incredibles film, but is strangely absent from the game. And with the Incredibles having practically every other character playable or at least making a cameo from the movie, it’s very odd that Frozone doesn’t even get a cameo, much less a separate figure. Even the film’s villain got picked over the witty, sarcastic, and popular black superhero Frozone. Of course, licensure may be involved, but not even a cameo? Really? Really. In the Pirates franchise, Elizabeth Swann was a main character for three of the four films, and Tia Dalma, who is the Caribbean avatar for the sea goddess Calypso, would have been an awesome playable addition to the game.

At least we have hope for the future: out of the twelve identified characters awaiting release for the game, five are female. Unfortunately, none are of color.  But Disney recently bought Star Wars and has the Marvel Cinematic Universe in tow, which may also be pulled from for this game.

Side note: Can you imagine Princess Leia and Mace Windu fighting against Nick Fury and Black Widow? Now throw in Mrs. Incredible and Sorcerer Mickey into the mix. That truly would be an epic game, and if licensure allows, Disney Infinity might just be that game.

So, who knows what we will have when all is said and done. Disney Infinity continues to be selling well, and hopefully, we will see more diversity in upcoming releases.

Summer Reading 2013

Men and Feminism by Shira Tarrant
This is part of the SEAL Studies collection on contemporary feminist and LGBTQ. This book provides a short introduction into whether or not men can be feminists (yes), masculinity: nature or nurture (both, probably, but mostly nurture), and ways men can get involved in feminist organizations and the movement(s) in general. Is a nice read that I could see assigning as a text for an introduction to women’s studies class, but is by no means the definitive text on the subject of men and feminism (which is perfectly okay, because that’s all the text sets out to be). The book is easy to read and is written in a laid-back, humorous style. May 2013.

Husbands by Brad Bell and Jane Espenson
This is a graphic novel tie-in to the online sitcom of the same name (HusbandsTheSeries.com). I have only seen a few episodes of the show, but love the show’s creator and author of this book, Jane Espenson, whose writing credits include Buffy the Vampire Slayer and the Doctor Who spin-off Torchwood. The graphic novel follows a newly accidently married couple Brady and Cheeks who fall into a number of misadventures. The book takes a hilarious romp through genres including sci-fi, superhero, medieval fantasy, and Archie-esque high school pop comic. The characterization is a little lacking, but the graphics and humor make up for any lacks elsewhere. I also imagine that the graphic novel plays off of the show’s characterization, and as such, relies on what has already been established on screen. A fun and light read, nonetheless. June 2013.

Chocolat: A Novel by Joanne Harris
I have wanted to read this novel for quite some time. I simply adored the film based on the novel, as it had a refreshingly strong-willed heroine who overcomes the central plot issue without the help of a man. The film and book I think have been dismissed by many to be simply a romancey chic-flic. The novel did not disappoint and lived up to my expectations; however, I will say that the way the resolution to the domestic violence relationship subplot played out in the novel was less realistic (and potentially more dangerous) then in the film. The book had delicious descriptions of chocolate that made me crave it for hours after I would finish reading for a day. The book was light and fun, a pleasant summer read. June 2013.

Tickets for a Prayer Wheel by Annie Dillard
Annie Dillard’s first of only two collections of poetry. Her nonfiction writing is so poetic that I was curious to see how her poetry would fare. The collection wrestles with God, the natural world, and human nature, themes found in many of her works. This collection was published in the same year as her first nonfiction work, Pilgrim at Tinker Creek, and yet her poetic voice tackles similar themes in a very different light.  Even so, a handful of the poems in this volume feel a little forced, as if she was still trying to find her voice. July 2013.

The Nerdist Way: How to Reach the Next Level (In Real Life) by Chris Hardwick
Chris Hardwick is a comedian, creator of the podcast The Nerdist, and has been hosting television shows all over the place now days. His foray into self-help literature is interesting, to say the least. First, the book is definitely a cheesy self-help book, full of advice and false hopes (if you just keep trying, you’ll make it someday!). Beyond that, the book does have practical advice drawn from Hardwick’s experiences as a recovering alcoholic, down-and-out broke actor, and nerd to his eventual success as a comedian and producer of various nerdy entertainment outlets. The book tackles things like panic attacks, recovery from addiction, and how to get in shape with practical steps and humorous illustrations, told in Hardwick’s comedic voice. At some points, though, his humor does get a little sexist, which I found frustrating. All that said, it’s decent for a self-help book, and perhaps a nice summer reading distraction from the heat. July 2013.

Currently Reading
Under the Dome: A Novel by Stephen King
At Home in Mitford (Number 1 in the Mitford Years series) by Jan Karon
Mornings Like This: Found Poems by Annie Dillard

Up Next
When I was a Child I Read Books: Essays by Marilynne Robinson
Apocalypse Now and Then: A Feminist Guide to the End of the World by Catherine Keller

Domestic Violence, Sexual Assault, and Misplaced Empathy

An article in the New York Times appeared on Sunday about how the National Rifle Association (N.R.A.) is advocating for gun owners’ rights in states that are seeking to put into place laws which would demand perpetrators to relinquish firearms when they have a domestic violence protection order placed against them. This article bears a similar theme to the recent Steubenville, Ohio high school rape case that continues to be the latest in “controversial” rape cases brought to national attention, following big name cases like the Jerry Sandusky trial in 2012. The New York Times article and the Steubenville case both are examples of misplaced empathy.

For those who have not been following the news on the trial, the Steubenville, Ohio rape trial involves two high school students, both star members of the football team, who digitally penetrated a sixteen year-old girl after a party in August of 2012. The victim was intoxicated. A confusing web of text messages, videos, and pictures followed the rape, essentially broadening the incriminated parties and re-victimizing the sixteen year-old girl. It remains to be seen who else, aside from the two football players, will be prosecuted in the case (last I read this morning sixteen more people are facing charges).[1] The two football players, however, were found guilty, and they are facing time in a juvenile detention facility in addition to becoming registered juvenile sex offenders.[2]

The controversy I mentioned in the introductory paragraph comes from our society’s perception of rape. First is the controversy surrounding the rape itself. Many are refusing to believe that this girl was “actually” raped, since if she did not want the activity, she would have done more to prevent it (even worse are those who claim that since she was intoxicated, clearly she was “looking” or “asking” for it). That is called victim blaming, and is a big big big big big big BIG problem in our society.

Victim blaming, essentially, is misplacing the blame for rape or violence on the victim instead of the perpetrator. It happens all the time. Like literally, ALL THE TIME. How often do you hear it said that the victim was asking for it, or should not have been wearing what (s)he was wearing. How about saying instead, why did the perpetrator rape someone? One might further hear it said “well, I would never let my daughter go to a party dressed like that girl was” or “the girl should not have been drinking.” This basically is saying that the rape is the victim’s fault. Yes, the girl should not have been drinking as she was underage, but being drunk, underage or not, does not mean she deserves to be raped, nor does it mean that if she is raped, it’s her fault! The perpetrators of the crime, the rapists, are ignored, the blame resting firmly on the victim.  

Or, when the perpetrators are discussed, they are given pity.  Several news outlets, including CNN, are focusing on the once promising future of the rapists that is now dashed due to the rapists being labeled as convicted juvenile sex offenders. For instance, Poppy Harlow of CNN said this about the rape: “Incredibly difficult, even for an outsider like me, to watch what happened as these two young men that had such promising futures, star football players, very good students, literally watched as they believed their lives fell apart.”[3] Or when Paul Callan, a legal expert, explained to Candy Crowley, a CNN news anchor, that “The most severe thing with these young men is being labeled as registered sex offenders… That will haunt them for the rest of their lives. Employers, when looking up their background, will see that they’re registered sex offenders. When they move into a new neighborhood and somebody goes on the Internet, where these things are posted, neighbors will know that they are registered sex offenders.”[4] In other words, these poor two young men being forced to have this awful label put on them that will ruin their lives! How sad, let’s feel pity for them. Meanwhile, the victim’s life was already ruined by the crime, having pictures of her posted all over the internet, and having to go to school with the very people who both raped her and stood idly by while she was being carried out of the house.  Not to mention lasting psychological effects, like PTSD, that may—and often—occur after being put through the traumatic experience of your body being violated. How about how the crime will most likely haunt her for the rest of her life? But no pity in this report on the verdict is spared for the victim, only for the rapists. 

This is called misplaced empathy by many who work in agencies dedicated to preventing and helping victims of sexual assault. Simply put, misplaced empathy is when one empathizes or pities the perpetrator of violence and/or sexual assault instead of the victim. Misplaced empathy was seen a lot in the Jerry Sandusky case with people saying the charges against him were everything from unfair to false. Never mind the victims.

This is where the New York Times article comes in. The article, “In Some States, Gun Rights Trump Orders of Protection” by Michael Luo, examines the N.R.A.’s long history of defending the rights of gun owners over and against those of victims of domestic violence.[5]

The N.R.A. cites violation of gun owners’ second and fifth amendment rights in many of these cases (fifth amendment in that it would make the defendant admit fault by turning over weapons before guilt has been established):

In statehouses across the country, though, the N.R.A. and other gun-rights groups have beaten back legislation mandating the surrender of firearms in domestic violence situations. They argue that gun ownership, as a fundamental constitutional right, would not be stripped away for anything less serious than a felony conviction—and certainly not, as an N.R.A. lobbyist in Washington State put it to legislators, for the “mere issuance of court orders.”[6]

On the other side are the domestic violence agencies and others who say that in the instance of protection orders, “the most volatile of human dramas,” “the right to bear arms must give ground to the need to protect a woman’s [or man’s] life.”[7]

Once again we have a case of misplaced empathy. The N.R.A. is empathizing with gun owners (obviously), but doing so while turning a seemingly blind eye at the victims of domestic violence. And what makes it especially depressing is the statistics:

Intimate partner homicides account for nearly half the women killed every year…. More than half of these women are killed with a firearm. And a significant percentage were likely to have obtained protection orders against their eventual killers. (A 2001 study, published in Criminal Justice Review, of women slain by intimate partners in 10 cities put that number at one in five).[8]

With statistics like these, it makes sense for courts to at least consider taking away firearms from people convicted of domestic violence. As Kristine Hall, policy director for the Virginia Sexual and Domestic Violence Action Alliance said in the New York Times article, “There’s often recognition that firearms and domestic violence is a lethal combination, but it’s followed quickly with concerns about taking away an individual’s right to possess a firearm.”[9] Misplaced empathy. You can’t cry “oh, my rights are being violated by the courts taking away my weapons.” No, when you beat or rape someone you are infringing on their rights so it makes sense that you no longer get to have the rights to bear arms. (It’s also interesting to note, though, that when it comes to gun manufacturer cases against gun owners/consumers the N.R.A. seems to give up its interest in preserving gun owners’ rights in favor of that of the manufacturers).[10]

By no means am I trying to say that rapists and perpetrators of domestic violence do not deserve empathy. They are still people. Many with proper counseling and batterer intervention programs can relearn how to be in healthy relationships with others and most, if not all, feel remorse for their actions. The misplaced empathy occurs when the empathy shown towards the perpetrator of the crime grievously outweighs, belittles, or is at the expense that of the victim. In the report by CNN on the Steubenville rape trial, there was little said on the victim at all, precious air time devoted instead towards selling the story of these two high school athletes whose lives are ruined by this court system. As Mallory Ortberg of Gawker.com wrote:

It's perfectly understandable, when reporting on a rape trial, to discuss the length and severity of the sentence; it is less understandable to discuss the end of two convicted rapists' future athletic and academic careers as if it were somehow divorced from the laws of cause and effect. Their dreams and hopes were not crushed by an impersonal, inexorable legal system; Mays and Richmond raped a girl and have been sentenced accordingly. Had they not raped her, they would not be spending at least one year each in a juvenile detention facility….

Trent Mays and Ma'lik Richmond are not the "stars" of the Steubenville rape trial. They aren't the only characters in a drama playing out in eastern Ohio. And yet a CNN viewer learning about the Steubenville rape verdict is presented with dynamic, sympathetic, complicated male figures, and a nonentity of an anonymous victim, the "lasting effects" of whose graphic, public sexual assault are ignored. Small wonder, then, that anyone would find themselves on the side of these men—these poor young men, who were very good at taking tests and playing sports when they were not raping their classmates.[11]

Pity and empathy is not a zero sum game. One is allowed to feel pity for both parties—the victim and perpetrator. After all, it really is sad that these two high school students effectively ruined their chances at going to a great school on a football scholarship and have to go to a juvenile detention facility. But that pity should not come at the expense or as Ortberg put it, nonentity, of a high school student who was raped and now has to deal with lasting effects of that sexual assault. Likewise, it is sad that a gun owner may no longer be allowed to have weapons as a result of a protection order filed against him/her, but the lasting fear and especially safety of victims of domestic violence should not be ignored or outweighed by the rights of the perpetrators. It’s time we stopped worrying so much about the rights, hopes, and futures of perpetrators and instead start acknowledging the rights, hopes, futures, not to mention safety and needs, of the victims. After all, their lives may depend on it.

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[1] http://www.onenewspage.com/n/Celebrities/74vr1pqo4/Steubenville-Prosecutors-Say-16-More-Minors-Face-Charges.htm

[2] http://usnews.nbcnews.com/_news/2013/03/17/17346127-verdicts-in-steubenville-high-school-rape-trial?lite&gt1=43001

[3] Embedded Video, http://gawker.com/5991003/cnn-reports-on-the-promising-future-of-the-steubenville-rapists-who-are-very-good-students

[4] Ibid.

[5] http://www.nytimes.com/2013/03/18/us/facing-protective-orders-and-allowed-to-keep-guns.html

[6] Ibid.

[7] Ibid.

[8] Ibid.

[9] Ibid.

[10] http://www.vpc.org/fact_sht/nraindus.htm

[11] http://gawker.com/5991003/cnn-reports-on-the-promising-future-of-the-steubenville-rapists-who-are-very-good-students

The Care Bears Teach a Lesson on Grace

 Yesterday’s Gospel reading, Luke 15.1-3, llb-32, was, of course, the famous Prodigal Son parable. For those who don’t know, the story goes something like this: A man has two bratty kids. One asks for his half of his inheritance money then runs out and spends it all on all sorts of fun vices like Starbucks drinks (probably). Before long the bratty kid spent all his money and ends up working as a slave on a farm, eating alongside the pigs. He then realizes that his dad’s slaves get treated better than he does, so he goes back home with the intent to ask his father to be a slave, since he considers himself not worthy of being called his father’s son anymore. Before he even gets to his dad’s house, his dad sees him and runs out, embraces his son, and throws his bratty kid a big party. His dad says “The son of mine was lost but now is found, was dead but now is alive, yippee!” (Message translation?). The dad’s other bratty son gets all jealous and pissy and says “How come you never through me a big party and I’m a perfect goodie two shoes! (Also Message translation?). His dad shakes his head and says “Son, you are always with me, all that is mine is yours, but your brother was dead but now is alive again.” (Oh, and fun trivia fact while I’m on it-- prodigal means wasteful, not repentant or evil or anything else like that). 

 The basic point of the parable, which is part of a string of parables about lost things (a sheep, a coin, etc. etc.), is to say that God’s grace knows no bounds. One could say (and many Biblical scholars have) that the father (God) is the prodigal one, wasting all this fine food and drink and money on his bratty kid. In the lost sheep parable, a sheep wonders away from the fold only for the shepherd (God) to leave all the other sheep behind to find it. Or how about the missing coin, where a woman (God—yes, God is a woman in this parable. Deal.) searches through her whole house, tearing it apart, to find this lost coin. In other words, one cannot wonder far enough to be lost from God’s grace.

It’s kind of a neat story. God’s grace and love is so great that nothing anyone can do can separate themselves from it (now I’m paraphrasing Paul. Oh dear). It is unfortunate, then, that many preachers focus on some supposed repentance of the bratty son as the means by which he is found. This idea doesn’t really fit in with the story. In the context of the other two parables, the sheep and coin do nothing in order to be found. They aren’t having some change of heart. No! The sheep just wanders stupidly around til the shepherd finds it, the coin is just a coin so it can’t have a change of heart or repent. Even the kid in the parable doesn’t repent, because, by the end of the parable he still doesn’t get it! He goes to his father saying “I am not worthy to be called your son,” missing the entire point. Worth has nothing to do with his father’s\God’s love and grace. Our culture likes to think that one must prove her or himself to be considered worthy—the very opposite idea of the parable.

This idea is a common theme in children aimed programming. The protagonist, in a repeat of the Herculean Trials, proves her or his worth through a series of trials that often test the protagonist’s dedication, vision, and usually climaxes with an epiphonic change of heart. For instance, in Wreck it Ralph (2012), a Disney/Pixar film, the protagonist, Ralph, yearns to be a hero, and after a series of trials proving his worth—namely, willingness to sacrifice himself for others—Ralph finally proves to others and himself that he has what it takes to be a hero. This theme is common in Disney films—the protagonist overcomes many obstacles to finally prove her or his worth. In Mulan (1998), the main character, a young woman named Mulan, poses as a man and fights in the all-male army in ancient China. She quickly becomes one of the most well-liked and respected members of the army, only for her secret to be revealed. She is outed as a woman and is kicked out of the military. Only after saving the emperor at the end of the film is she welcomed back into the ranks and considered a hero. And, just to show that I’m not picking on Disney, the same themes can be found in films from DreamWork’s 2005 Madagascar to Martin Scorsese’s critically acclaimed Hugo (2011). 

These films aim to teach team work, hard work, and following one’s dreams will make one successful. One can almost hear the moral of the story being pounded over and over into the heads of the young children: if you just work hard enough, your dreams will come true. Of course, it doesn’t hurt to add a few musical numbers and heartwarming epiphonic moments into the mix.

Few children’s films break out from this mold, but one franchise in particular seems to have been challenging this paradigm since its inception… the Care Bears (who of my Facebook friends could have seen that coming?)! These cuddly bears have appeared in two theatrical films, four distinct television series, greeting cards, toys, books, food… the list goes on. Their mission is to teach everyone about the value of caring, but also, apparently, about grace. 

 In The Care Bears’ Big Wish Movie (poorly animated by Nelvana, released in 2005), Wish Bear’s wishes keep getting her into trouble with the other Care Bears when they keep back firing. Frustrated, Wish Bear wishes for some friends who love wishing just as much as she does. Soon, three new bears come to Care-a-Lot: Me Bear (a selfish diva), Messy Bear (the Pigsty of Care-a-Lot), and Too Loud Bear (probably modeled after the neighbors who live in the apartment above me). These three bears are welcomed by the Care Bears into Care-a-Lot, who help build the new Care Bears an elaborate house and put up with the noisy, messy, and selfish bears (even though  thee three new bears grate on everyone—even Wish Bear’s—nerves). Soon, the three new bears accidentally ruin Care-a-Lot, draining it of its color and even using up all of Wish Bear’s wishes. The three bears realize what they’ve done and apologize. The Care Bears ask Wish Bear to help wish Care-a-Lot back to its former glory, but Wish Bear declines, realizing that wishing is fun, but is nothing without putting in some work to reach one’s goals. Together, the Care Bears fix Care-a-Lot, and the three new bears—Me, Messy, and Too Loud—ask if they can remain living in Care-a-Lot, which, of course, the Care Bears happily agree to.

 On the surface, it might seem like just another kids movie saying if you work hard enough, you will overcome your challenges and be accepted for who you are. And while that theme is certainly a piece of the film, I think the story bears (heh) much more resemblance to the Prodigal Son parable than one might think. First, the three new bears are welcomed into Care-a-Lot without hesitation. Even after they practically destroy the Care Bears’ home, the Care Bears do not kick them out. And when the three bears humbly ask if they are allowed to stay in Care-a-Lot after realizing all the harm they did, the Care Bears do not hesitate in saying yes. Because, their stay in Care-a-Lot was NEVER a question to the other Care Bears.

This theme goes back to the inclusion of Grumpy Bear in the original ten Care Bears. All nine of the other Care Bears were practically (and sometimes literally) the poster children for rainbows, butterflies, and Pepto Bismol pink happiness. But not Grumpy Bear. His surly expression and downer attitude made him a stark contrast to the others. But he was still very much a true, storm-cloud blue Care Bear. In the 2007 direct-to-video release Oopsy Does It (much more nicely animated by Kidtoon films), the protagonist, a new Care Bear named Oopsy, does not even have a tummy symbol. But he is still counted among the ranks of the Care Bears. And while the film features Oopsy going through many of the same trials and tribulations as we see in other films to learn to accept himself, he was always, from the very first moment of the film, accepted by the other Care Bears.

The lesson the Prodigal Son and, oddly enough, the Care Bears, are trying to teach us is not how to find ourselves back in the graces of God (or fantasy land of Care-a-Lot), but, rather, to learn to accept ourselves as is, knowing that God already has and does. That doesn’t mean we can’t try for better or learn some lessons along the way (after all, James says faith without works is dead… sanctification vs. justification for all those theology nerds out there), but maybe if we stopped asking God to treat us like slaves long enough to notice her open arms (oops, referred to the divine as a girl again. Whoopsie), then maybe we would be able to accept others with open arms, too.

Depression

Writing is hard. It involves, at least for me, a stillness, a sense of motivation, and a sense of inspiration.

Many famous writers have said that the craft doesn't involve finding time to write so much as it involves making time to write. But if life is never still, even for a moment, where is anyone to make that time? Do I cut it from a moment with my love? Do I abandon my job or daily tasks? Deep down, I suppose, I do have extra time. But this is where the great beast of doubt comes in. From doubt stems insecurity (am I good enough?), uncertainty (is this the project I should devote myself to?), and, eventually, depression with the realization that Ian twenty-seven, working at Starbucks, in massive debt for student loans, an far removed from any sense of purpose (near minimum wage at a coffee shop that forces it's workers to be part time is hardly work with purpose). Yes, now is an excellent time to move onward. But doubt.

So I write this, not to receive pity or anything like that, but to force myself to display this ugly beast--doubt--and move on. 2013 may just yet be a good year.

Jkw